The Form of Adaptation_1
Lithograph on Marble, 2019
I focus on the familiar code – the light/object/dark relationship.
In the world that we know objects always exist in an extremely consistent relationship – light/object/dark. In the presence of light and dark we are able to read shapes, distances, forms and their mutual relationships. The light/dark relationship is always absolutely precise and perfectly consistent.
But what if we deliberately separate the elements of this system? If we treat the object, light and dark as independent components? Will inexistent objects cast real, material shadows and will the rhythm and direction of light in the same system be deliberately distributed?
In my lithographs I describe compositions and spaces using the gap in the code.
Website (it’s about lithography: history, techniques, process…) | Personal portfolio
MY HEART IS MADE OF STONE
Born in 1978 in Wroclaw, Poland. She holds a Ph.D. awarded by Academy of Fine Arts and Design (Wroclaw, Poland); habilitation in 2019. Until 2015 she has been working as a professors assistant in Studio of Lithography and Graphics’ Promotion. Since 2015 she leads her own studio of Graphic User Interface on her Alma Mater. Her interests includes both: printmaking (mainly marble stone lithography) as well as an animation and graphic ui design.
2019 – Bucharest International Print Biennale BIPB, Romania;
2019 – 8th International Triennial of Graphic Arts Sofia, Bulgaria
2019 – IX URAL PRINT TRIENNIAL 2019, Ufa, Russia
2019 – XV International Biennial of Engraving “Jose de Ribera” Xativa, Spain
2019 – Kaunas International Printmaking Biennial, Lithuania
2019 – Biennale TGB-eMe Miniestampa, Mexico
2019 – 3th International Contemporary Engraving Biennale, Iasi, Romania
2019 – 2nd International Print Biennale Yerevan, Armenia
2019 – V Certamen Internacional de obra griifica aLfaRa, Oviedo, Spain
2019 – 20th Biennial Varna 2019, Bulgaria
2019 – 4 Global Print, Douro, Portugal
2019 – X PREMIO INTERNACIONAL DE GRAVADO ATLANTE, Riveira, A Coruna, Spain
2019 – I Prize – Biennale TGB-eMe Miniestampa, Mexico
2019 – II Prize – 3rd Bienala Internationala de Gravura Contemporana – Ia~i, Romania
2019 – I Prize in PRINTMAKING Category The International Graphic Art Festival UNI Graphica, Russia
2019- II Prize – Premio Atlante D’ Maria del Rosario Martin, X PREMIO INTERNACIONAL DE
GRAVADO ATLANTE, Spain
2018 – First Prize International Biennial of Lithography, Serbia
2018 – I Prize – IV Certamen Obra Grafica aLfaRa, Spain
2018 – I Prize on 46th International Print Award Carmen Arozena 2018, Spain
2017 – I Prize, V Biennale dell’incisione della grafica e dell’ animazione contemporanea, Italy
2019 – ZACHETA- Museum of Modern Art, Wroclaw, Poland
2019 – Collection of Fundacion Vivanco, Spain
2019 – Collection of Carmen Arozena Award, Madrid, Spain
2015 – Collection of International Senefelder Award, Offenbach, Germany
2015 -Collection of Steendrukmuseum- The Dutch Museum of Lithography, Netherlands